It is worth visiting the church of San Girolamo della Carità (1654-60) just to see the spectacular Cappella Spada, a real gem of the Roman Baroque.
Traditionally ascribed to Francesco Borromini (1599-1667), the Cappella Spada (first chapel on the right) is separated from the nave not by the traditional balustrade but by a pair of genuflecting marble angels, who hold a long cloth carved from red jasper. The angels, the work of Antonio Giorgetti (1635-69), seem to block access to the chapel, but the wings of the angel on the right are made of wood, not marble, and can be moved aside (by means of a hinge).
Two members of the Spada family recline on either side of the chapel, one awake and one asleep. The sleeping figure of Bernardino Lorenzo Spada is by Ercole Ferrata (1610-86), while Giovanni Spada is the work of Cosimo Fancelli (c. 1620-88).
Spada is the Italian word for sword and three swords make up the family's coat of arms. Images of swords make up some of the ostentatiously ornate marble decoration of the walls of the chapel.
My name is David Lown and I am an art historian from Cambridge, England. Since 2001 I have lived in Italy, where I run private and
small-group walking tours
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